Archdiocese blocks play about ex-Hasidic transgender rabbi and activist Abby Stein
Archdiocese blocks play about ex-Hasidic transgender rabbi and activist Abby Stein
(New York Jewish Week) — A Jewish comedian’s planned production was also booted from space owned by the Catholic Church.
An exterior view of the Connelly Theater, where an adaptation of the memoir of ex-Hasidic transgender activist Abby Stein was set to take place before theater owner and landlord, the Archdiocese of New York, stepped in. (Photo by Jim Henderson/Wikimedia/Creative Commons)

(New York Jewish Week) — A theatrical production based on the memoir of an ex-Hasidic transgender rabbi and activist, set to premiere in New York early next year, is scrambling to find a new home after its landlord rejected the script last week.

The landlord? The Roman Catholic Archdiocese of New York.

The production has become a casualty of a dispute between the East Village’s Connelly Theater, which had long staged provocative works, and the archdiocese, which owns the venue. The archdiocese has recently placed the theater under increased scrutiny, exercising a clause that gives it approval of plays shown at its property. The Catholic school that serves as the go-between between the church and the theater said it is “suspending all operations of its theater,” The New York Times reported.


Abby Stein, author of the 2019 memoir “Becoming Eve: My Journey from Ultra-Orthodox Rabbi to Transgender Woman,” was alerted last Wednesday that the adaptation of her book would no longer be permitted at the Connelly Theater.

“I can’t say I’m surprised,” Stein said in an interview. “I’m not going to come up and pretend, ‘Oh my God, the Catholic Church doesn’t like trans people, I’m shocked.’ I wouldn’t say that. I think we all know that. It’s just extremely frustrating that even in a place like New York, it’s still something you need to think about.”

She added, “It feels like we’re taking one step forward, two steps back. This shouldn’t be something we’re still worried about.”

Josh Luxenberg, the Off Broadway theater’s general manager for the past 10 years, resigned last Friday, telling The New York Times that he was reluctant to serve as a “censor rather than an advocate of artistic freedom.” The theater was built in the 1860s, according to its “About Us” page, which still lists Luxenburg as general manager and calls itself “a home for adventurous independent theater productions.” Its main stage theater seats 200.

The Archdiocese of New York did not respond to a request for comment. Its director of communications told the Times that the decision reflected longstanding norms about its oversight of content shared in its buildings. The archdiocese has previously required public schools renting space it owns to hold sex education instruction off-campus.

“It is the standard practice of the archdiocese that nothing should take place on church-owned property that is contrary to the teaching of the church,” Joseph Zwilling told the newspaper. “That applies as well to plays, television shows or movies being shot, music videos being recorded, or other performances.”

“Becoming Eve” tells the story of Stein’s journey as a rabbi and heir to a prominent Hasidic dynasty who left her insular community in 2012 and publicly came out as transgender in 2015. The book became a bestseller, and she became an advocate for the LGBTQ+ community and for Hasidic Jews who leave their communities. Stein is currently a part-time rabbi at the independent congregation Kolot Chayeinu in Brooklyn as well as an activist on causes including opposing Israel’s war in Gaza.


“I did not expect myself to be at the crosshairs of the Archdiocese of New York,” Stein said.

As an adaptation of Stein’s memoir, the play “centers on a conversation between Abby, her devout father and a young liberal rabbi, as they reckon with questions of gender and faith,” according to Playbill.

“Becoming Eve” is one of at least three shows booted out of the Connelly Theater by the Archdiocese. SheNYC, a summer theater festival for plays by female, nonbinary and transgender artists, said in a statement that it has also been told by the Archdiocese that it cannot use the theater next summer.

“It’s a total shock that somehow, strict conservative ideals are dictating what can happen in a NYC theater,” SheNYC posted on Instagram. “We’re heartbroken by this loss. And we’re not going to lie – this puts us in a tough spot for our 2025 season, which is also our 10-year anniversary.”

The comedy show “Jack Tucker: Comedy Standup Hour,” a solo show by comedian Zach Zucker, who is Jewish, featuring his alter-ego Jack Tucker, was in the works to transfer to the Connelly Theater in early September for a limited run following a successful turn at the SoHo Playhouse. But the archdiocese rejected the show days before it was set to begin. Zucker had to relocate and postpone the show.

In an Instagram post announcing the new dates and location, Zucker said of the Church, “Why’d they do this? We’ll never know. But what I do know is that God will never stop me.”


“Becoming Eve” is written by Em Weinstein, produced by Dayna Bloom and Brian Lee, and directed by Tyne Rafaeli. It will be in previews in March and is set to premiere in April of 2025.

New York Theatre Workshop, which is producing the play, is in the process of finding an alternate venue.

“We remain fiercely committed to presenting Emil Weinstein’s compelling and singular play, Becoming Eve, in our season,” New York Theatre Workshop said in a statement. “We are profoundly disappointed by the Archdiocese’s decision and reaffirm our unwavering commitment to produce this powerful story. We are in talks with a new venue and look forward to sharing the details very soon. We are proud to produce this compelling story and to champion its artists and ethos.”

This article originally appeared on the New York Jewish Week. For more Jewish news from New York, sign up for the New York Jewish Week’s Daily Update.

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