Mexico’s native ethnic groups promote their heritage during Oaxaca’s biggest cultural festival

During the government-sponsored event, 16 Indigenous ethnic groups and the Afro-Mexican community promote their traditions through public dances, parades and craft sales.

Dancers perform on the first day of the Guelaguetza in Oaxaca, Mexico, Monday, July 17, 2023. During the government-sponsored event, 16 Indigenous ethnic groups and the Afro-Mexican community promote their traditions through public dances, parades and craft sales. (AP Photo/Maria Alferez)

OAXACA, México (AP) — Leticia Santiago carries her ancestral heritage wherever she goes. Every time she addresses the crowds during the Guelaguetza, the biggest cultural event in southwestern Mexico, her words, her garments and her skin reveal a clue about the town where she was proudly born.

The 35-year-old Mexican was elected as Centéotl goddess in late June, which means she’ll represent the Aztec deity of maize for a year and lead all festivities during the Guelaguetza, which will run in the state of Oaxaca through July 28. During the government-sponsored event, 16 Indigenous ethnic groups and the Afro-Mexican community promote their traditions through public dances, parades and craft sales.

Santiago can’t help but smile when she talks about the history of her ethnic group, known as “Chatinas.” Her hometown, Santiago Yaitepec, is located five hours away from Oaxaca City, between the mountains and the coast.

“It is said that we come from the sea and our ancestors were fish,” Santiago said. “When a sea monster started devouring them, our Holy Father, the Sun, took pity on them and turned them into human beings. That’s how our story began.”

She claims that she entered the Centéotl goddess contest to share the Chatina heritage to the world. All her public speeches include some of her native language and every time someone asks for a photo, she enthusiastically raises a side of her bright-colored skirt.

Chatinas learn to cross-stitch as young girls because embroidering birds and flowers has a spiritual meaning. In the community’s worldview, the Earth is their mother and their closeness with nature can be seen in their textiles.

“Through threads and needles, through waist looms, we have created an identity. Preserving it has been a struggle for us,” Santiago said.

Not every Oaxacan community can be a part of the Guelaguetza, which began in 1932 when the government organized a celebration. Participants are selected by a committee, which for years was criticized by academics and activists over the groups it excluded. Santiago’s own community was ignored until now.

“Because of that, nearby towns started to organize their own Guelaguetzas and added more local elements,” said Oaxacan anthropologist Enrique Martínez. According to his records, up to 26 similar events have been held in parallel.

When a new governor came into power in 2022, the committee in charge of selecting the participants was overhauled and vowed to be more inclusive. “This year the discourse has changed, and they invited communities that were previously left out,” said Gabriela Zapién, who is also a Mexican anthropologist.

Some of the racial diversity of the local ethnic groups can be seen along the streets of Oaxaca City during this year’s Guelaguetza.

Tonatiuh Estrada, a craftsman who specializes in cardboard figures, was asked to create dolls representing women from the eight regions of the state. The three-meter-tall figures are regularly used during “calendas,” as Oaxacans call processions held during Catholic festivities to honor their patrons or saints.

“For me, these dolls are like documents,” Estrada said. “When people look at them, they don’t only see a ‘huipil’ (a traditional garment) or a local hairstyle. They can read them and understand their meanings.”

Among his latest creations for this year’s Guelaguetza is a devil who stars in a local dance.

Many have claimed that this cultural event is a mere show, but Estrada disagrees. “It was created by a government 91 years ago, but the Guelaguetza has nurtured and positively exhibited the people’s tradition,” he said.

“Oaxaca’s culture is not inside a museum or an exhibition. It’s alive.”

Hundreds filled the streets of Oaxaca City during a recent parade that was led by Santiago in her role as Centéotl goddess.

“For us (the Guelaguetza) is the ultimate festivity because it comes from an ancient culture that our ancestors bequeathed us,” said Silvia Ramírez, a local who enjoyed the parade with a friend. “It fills us with emotion because we can feel them again.”

Just like Santiago, most representatives from the 16 Oaxacan ethnic groups speak proudly about the garments, accessories or music shared with the crowds during the Guelaguetza.

Nayelli López, who is part of the “Chinas Oaxaqueñas” and lives in the city, tells how the gala dress she wore during the parade reflects her faith and some social codes. The bow at the waist reveals whether they are single or married and the medallion commonly worn near their hearts show their devotion to Our Lady of Solitude, a depiction of Mary, the mother of Jesus.

“My black shoes are the symbol of the mixed race and we use our baskets as offerings to our saints or to make a request,” López said.

Enrique Olvera, born in Ejutla de Crespo, said that his white suit and donkey skin hat represent the ancient clothing of his ancestors, men dedicated to agriculture. Natasha Gutiérrez, from Santo Domingo de Tehuantepec, explained that her velvet outfit — hand-embroidered with silk threads — is worn on August 4, during the honoring of her community’s patron, Santo Domingo de Guzmán.

The mere word of Guelaguetza has a story to tell: It’s an ancient concept usually used among Oaxacans to help each other. It means mutual cooperation and support.

Leticia Santiago hopes to assist her own people as soon as she heads home. She says that the local government promised to work closely with her community to rescue their native language. Though more than 41,000 people can speak Chatino, its written form has been lost, Santiago claimed.

While she holds her cedarwood scepter close to her heart, she says that she also hopes to lead by example and inspire other Chatina women to follow her path.

“This could show our descendants that they can preserve and maintain our culture too.”


Associated Press religion coverage receives support through the AP’s collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content.

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